Creative director and creative technologist with 29+ years across motion, 3D, film, and interactive, spending the last several years bringing generative AI into real production where the craft is heading.
BRANDS WORKED WITH // IBM · BAT · McDonald's · Toyota · McLaren F1 · Live Nation · HBO · Red Bull TV · Rede Globo · VICE.
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PORTFOLIO
// featured case studies & direction
INTERACTIVE 3D NODE ENGINECLICK OR STEP NODES
NODE: Z17_AI_CORE
CASE STUDY 01 // IBM BLUE STUDIO2025
IBM z17 & LinuxONE: Global Launch Film & 3D Node System
ROLE · Creative Director (Film, 3D, Rive & Interactive Architecture)
Directed the global enterprise launch films for IBM z17 and LinuxONE mainframes while architecting an interactive 3D spatial node system that translates dense enterprise AI and security topology into real-time cinema.
DIRECTION & TECH // Full CG launch film direction paired with a React Three Fiber + Three.js + IBM Carbon 3D node visualizer featuring smooth camera lerp focusing, volumetric telemetry interconnects, and Rive state machines.
ROLE · Creative Director (Motion Graphics, VFX & Interactive Game)
Spearheaded the U.S. Open campaign and IBM.com homepage takeover, uniting high-impact broadcast VFX and motion graphics with a playable, zero-dependency HTML5 Canvas tennis arcade experience built strictly on the IBM Design System.
PLAYABLE ENGINE // Features progressive AI opponent difficulty (adaptive reaction time, trajectory prediction, and +5% rally velocity scaling) inside a clean IBM Plex / Carbon interface.
IBM Smarter Business: Kinetic Brand & Motion System
ROLE · Creative Director (Motion Design System, 3D & Kinetic Geometry)
Directed the geometric motion language for IBM Smarter Business, translating magnetic field bars, vector arrows, radial telemetry dials, and concentric architectural squares into a unified kinetic identity system.
JOINED MOTION EDIT // Combines the four core procedural motion studies (Field Bars, Directional Arrows, Radial Dial, and Concentric Squares) engineered on the IBM Carbon grid.
MOTION IDENTITY3D & PROCEDURALIBM SMARTER BUSINESSART DIRECTION
// select any project to inspect or launch
EXPERIENCE, AWARDS & EXPERTISE
// 29+ years · ibm · bat · davis elen · dreadnought
PROFESSIONAL SUMMARY // DIRECTOR & PIPELINE ARCHITECT
“I'm the person who can direct the work and build the system that makes it faster and cheaper, so a smaller team ships like a much bigger one. I built the 3D asset library that let one of the biggest brand portfolios turn work around fast and consistent, stood up an in-house film and VFX pipeline that produced a launch film at a fraction of the usual cost, and designed inside some of the strictest compliance in consumer brands, where nothing moves without sign-off. Plenty of AR and VR too, getting people hands-on with products they'd never touch otherwise.”
◆ BRAZILIAN & U.S. CITIZEN · AVAILABLE IMMEDIATELY
Best Music Video Worldwide · ConeCrew Diretoria ("Chama os Mulekes")
05
MTV Brazil Award · Nominee
Music Video & Broadcast Direction
06
The Creators Project · Speaker
VICE / Intel Global Showcase
07
EB-2 Classification · Brazilian & U.S. Citizen
U.S. Recognition of Exceptional Ability · Dual Citizen (BR / US)
08
Guest Professor · Faculdade Belas Artes
Film & Cinema Program (Curso de Cinema, São Paulo)
09
SPCine · Founding Discussions
Initial Audiovisual Policy Talks · Prefeitura de SP (Haddad Admin)
CAREER EXPERIENCE TIMELINE
ROLE 01
IBM
AUG 2024 – SEP 2025Remote · Contract · Blue Studio
Creative Director (Contract) · IBM.com & Blue Studio
Built an AR experience for the IBM Z17 (used by 70% of the world's major financial institutions) so product teams and customers could explore its features remotely without shipping hardware.
Shipped the U.S. Open interactive tennis game on IBM's global front page for two weeks as a mainpage takeover.
Introduced Rive interactive animation across IBM.com and Blue Studio, and helped drive the IBM.com redesign.
Directed global launch campaigns for IBM Power 11 and LinuxONE.
Worked on Watson digital marketing across IBM's AI portfolio (IBM AI, watsonx, Watson Data, and Watson Orchestrate).
Built an interactive emulation of the product line giving buyers a hands-on experience before purchase; ran end-to-end from concept and film direction through motion, VFX, and AR/VR.
ROLE 02
BAT / Reynolds American
FEB 2021 – JUL 2026Winston-Salem, NC
Senior Manager, Experiential Design, Video & VFX · Acting Creative Director
Brought generative visual AI into a 150-year-old global company for the first time, designing the pipeline and use cases and scaling them across the studio.
Built the enterprise 3D product asset library so a massive portfolio could produce launch and campaign material fast and consistently without paying for rework when a pack changed.
Set up in-house film and audiovisual production, delivering a shared launch film at a fraction of the usual cost.
Introduced AR and VR product experiences where traditional promotion is restricted under strict consumer brand compliance.
Led Tier-1 experiential work with McLaren F1, IndyCar, and Live Nation, plus Rive-driven interactive platforms across the studio.
ROLE 03
Davis Elen Advertising
OCT 2016 – FEB 2021Los Angeles, CA
Senior Digital Artist & VFX Consultant
Clients: McDonald's · Toyota · Best Buy · Udacity · Greatcall.
Worked on 300+ commercials across national TV campaigns, delivering VFX, compositing, and motion graphics.
Helped build the in-house post-production pipeline that let one campaign ship 15 commercials to 15 California markets at once.
ROLE 04
Dreadnought & Earlier Career
2006 – PRESENTSão Paulo & Los Angeles · Rep: Bando (BR)
Founder / Film Director (Dreadnought) · Narrative & Commercial Director (Represented by Bando, Brazil)
Dreadnought (Founder / Director, 2008–2021, São Paulo & LA): Independent production company directing brand content, commercials, and films for IBM, Red Bull TV, Bradesco, Globo TV, Puma, and VICE, generating 300M+ YouTube views across directed content.
Music Videos, Musical Creation Direction & #1 Snoop Dogg Global Ranking: Directed acclaimed music videos for leading recording artists including Racionais MC's, Projota, Karol Conká, Rico Dalassam, Rashid, Pregador Luo, Ton Carfi, Claudia Leitte, Fabio Brazza, and ConeCrew Diretoria (whose video Chama os Mulekes was selected as the #1 Best Music Video Worldwide on Snoop Dogg's Global Ranking), plus musical creation direction for Tiago Abravanel on the song Baile do Abrava.
Director Representation (Brazil): Currently represented as a Narrative & Commercial Director in Brazil by Bando.
SPCine Founding Discussions (Prefeitura de São Paulo): Participated in the initial foundational talks with the City of São Paulo (Prefeitura de São Paulo) under Mayor Fernando Haddad for the creation of SPCine (São Paulo's municipal film and audiovisual agency).
Broadcast TV, Brazil (2006–2012): Grupo Bandeirantes (VizRT artist; virtual sets with VizRT + 3DS Max), Rede Globo (Fantástico), SBT, Rede Record (A Fazenda), RedeTV!, and HBO trailer campaigns (Terry Hines & Associates).
doubleleft (Creative Technologist, 2008) & Academic Mentorship: Interactive digital projects with doubleleft · Guest Professor in the Film & Cinema Program at Faculdade Belas Artes (São Paulo) · BET Academy counselor/mentor (2021–2023) · MTV MIAW creative counselor (2021).
LANGUAGES // English (Fluent) · Portuguese (Native / Brazilian)
Idirectthefilm.ThenIshipthesoftwarebehindit.
LABORATORY
// plugins, engines, saas & github builds
LAB // WORK-IN-PROGRESS & DEPLOYED INITIATIVES
Native plugins for Blender, Cinema 4D, and After Effects, procedural animation engines, MCP servers, and live web applications published under @toddyivon. Select any unit for a technical breakdown or launch the live build on your end.
52-WEEK CONTRIBUTION ACTIVITY MATRIXHOVER A CELL · DAILY CONTRIBUTIONS
CODEBASE LANGUAGE TELEMETRYLOADING…
RECENT COMMITS // DEFAULT BRANCHES
ARTICLES & BROADCAST ARCHIVE
// broadcast art direction, hans donner legacy & medium feed
ON AIR · CAM 01 // BAND · VIZRT + 3DS MAX12-SCREEN MULTIVIEWER WALL
Previsão do Tempo · Real-Time 3D Virtual Set & Chroma Key
FEATURED ESSAY & VISUAL ARCHIVE // TV BROADCAST ART DIRECTION
From Hans Donner's Influence to Real-Time Virtual Sets: My Work as a Broadcast Art Director on Brazilian TV
How Hans Donner's sculptural 3D television identity in Brazil sparked my beginning in broadcast design, and how I directed on-air packages, openings, and real-time VizRT / ORAD / 3ds Max virtual sets across Rede Globo (Fantástico), Band (Show Business, Boa Tarde, UEFA Europa League, Serie A), Rede Record (Repórter Online, A Fazenda), RedeTV! (RedeTV! News, Notícias da Redação), and SBT (Tempo & Temperatura).
HANS DONNER LEGACYGLOBO · BAND · RECORD · SBT · REDETV!VIZRT & ORAD3DS MAX & C4D
Field notes on art direction, 3D pipelines, and filmmaking.
CONTACT
// direct bookings, commissions & collaborations
◆AVAILABLE IMMEDIATELY · NO VISA SPONSORSHIP REQUIRED
Let's build something that refuses the template.
Available for Creative Director & Creative Technologist leadership, global launch film direction, generative AI & 3D asset pipelines, and interactive AR/VR/Rive experiences.
New York · Los Angeles · São Paulo · London (Brazilian & U.S. Citizen · EB-2 Exceptional Ability) · Narrative & Commercial Director represented by Bando (Brazil)